Tag: UMASS Amherst

Bridging the Gap: Empowering Underrepresented Students through Student Bridges

Photo by Joy Kunda
Mahoro Shimoro pauses in front of a banner that reads “Equal rights for others does not mean less rights for you” inside the Student Bridges office located in the Student Union.

By Joy Kunda 

AMHERST – On April 25, 2024, Student Bridges (SB) hosted its bi-annual event “I’m So College.” According to Campus Pulse, on this occasion SB aims to host a “day of workshops, music, performances, food, and more. It provides students an interactive experience as they can engage with various student organizations on campus.” providing a lively introduction to life at UMass for prospective students.

What is Student Bridges?

When Mahoro Shimoro of Springfield enrolled as a freshman at the University of Massachusetts, she quickly became aware of the significant cultural differences that existed. Shimoro grew up in a city with a majority Black and Hispanic population, which is much more diverse compared to many of the surrounding towns. Soon, Student Bridges became a safe haven for her. 

“I come from a city, where a majority of the population are low-income and first-generation people. Going to UMass in Amherst, which is predominantly white and very different from Springfield, was a culture shock for me,” Shimoro said. “I didn’t see many people who looked like me, and there weren’t many resources specifically for Black students, which made me feel like the way I spoke or expressed myself wasn’t represented.” 

Shimoro became involved with Student Bridges during her sophomore year when she enrolled in a four-credit civic engagement course offered by the agency. As part of the course, she participated in various discussions on equity issues on campus. 

Photo by Joy Kunda
Mahoro Shimoro working at her computer desk in the Student Bridges Office.

“In the course, I was really able to engage with other college students about different topics surrounding access to higher education, connect with high school students in Springfield, and just gain a really strong interest in things like equity and access to resources,” said Shimoro. 

Student Bridges is among the 12 student-run agencies at UMass with a primary goal of providing access and ensuring academic success for students from underrepresented cultural and social groups. Unlike other registered student organizations (RSO), Student Bridges employs paid staff on a yearly basis to uphold its mission and sustain the program’s operations. 

Members of the underrepresented community served by Student Bridges include but are not limited to, first-generation students, Black and Indigenous People of Color, low-income individuals, and LGBTQ+ individuals. 

Student Bridges was established at UMass to address the unique challenges underrepresented students face at UMass and increase their access to resources and success at the university. After proposing the “Low Income Access Outreach” Program, the organization received funding from the Student Government Association and was fully operational by September 2006. Since then, Student Bridges has worked to create bridges between UMass students and neighboring school communities by providing support to its students. According to its website, SB uses a four-method compone to achieve its goal which includes preparatory mentorship, college outreach, awareness, advocacy, and retention. 

“The agency has grown significantly over the past 15 years, from humble beginnings to now having 13 paid staff positions as well as offering a paid graduate student staff position,” said Shimoro. “We also prioritize creating a sense of community and ensuring that students feel heard and that their needs are being respected and advocated for.” 

Shimoro also developed a deep appreciation for community-building initiatives for students of color and local communities in college towns, which are often overlooked in institutional goals. 

Shimoro, now a UMass alum with a degree in Sustainable Community Development, served as the Undergraduate Program Coordinator for the agency where she was in charge of developing and implementing the programs and initiatives designed to support the community they serve.

“In my role as a senior staff member, I have had the opportunity to develop my leadership skills, organizational skills, and time management skills. Additionally, I have cultivated a strong interest in mentorship, guiding students, and helping others,” Shimoro explained. 

This semester, Student Bridges has worked on multiple projects, such as offering UMass campus tours tailored to BIPOC students and hosting career readiness workshops for underrepresented students on campus. 

Bryanna Meija, a Kinesiology graduate, believes that growing up in predominantly diverse communities shaped the person she has become. Through Student Bridges, she has found a sense of belonging. Being surrounded by individuals who look like them provides a sense of comfort and familiarity that they find important. Meija aims to create a workplace that promotes inclusivity, where individuals of color can express their authentic selves without compromising the standard of professionalism. 

“In order to set an example for the staff, I make sure that my actions in the workplace are appropriate and something that I would be comfortable with the staff doing as well,” said Meija. “It is important to create a work environment where everyone is respectful and cordial towards each other, as it is important to maintain a professional environment rather than a casual one like hanging out with friends.” 

Priscillia Meta, a second-year Public Health Sciences major, was pleased to discover the SB office, introduced to by friends, was a welcoming and safe environment for her. The SB office which is located in the Student Union soon became her go-to spot to study. After her classes, she would visit the office to complete her work. 

“I think that simply having a lot of people of color has been helpful in adjusting to college life as a freshman,” Meta said. “I feel comfortable around them and can be myself, which is an encouraging environment for me. Being around people who look like me has made it easier to adjust to the new surroundings.” 

In April 2023, SB hosted an alumni night where past alumni were invited to share their experiences post-graduation and how the organization has impacted their lives and careers. Meta who attended the events emphasized its significance in highlighting how the experiences gained through the program continue to shape their lives beyond college. 

“At the core of SB’s mission is the focus on access and retention beyond admission and enrollment. It’s about making sure that there are resources in place and support in order for high school students to thrive at the colleges they are admitted to.” said previous Student Bridges Director Olga Correa. 

Correa stressed the importance of establishing connections between both the undergraduate students at UMass and students in nearby middle schools and high schools. Their efforts encompass recruitment beyond the local communities, with specific attention given to Holyoke and Springfield, as demonstrated by initiatives like peer mentorship groups. 

Correa’s involvement with Student Bridges began in 2019 when she assumed the role of graduate program coordinator. In the subsequent year, she transitioned to the position of interim director and also took on the responsibilities of a course instructor for Student Bridges. 

Reflecting on the agency’s advocacy for institutional and public policies, Correa emphasized the role of the policy advocacy coordinator—a position within Student Bridges that specializes in developing and leading campaigns aligned with the agency’s mission. This individual works collaboratively with other organization members to ensure that community members remain informed about state and federal developments concerning access to education.

The agency prioritizes addressing barriers faced by underrepresented students, such as retention challenges among marginalized groups, through programming efforts that include cultural events and providing information on campus resources, scholarships, and emergency funding, serving as a trusted source for students seeking reliable information. 

“In our community engagement courses, we address the numerous barriers, notably the high cost of tuition and financial constraints faced by students,” said Correa. “ We understand the challenges faced in K-12 education, such as the lack of accessible counselors or teachers failing to provide information about scholarships and SAT preparation.” 

Through its collaborations with middle and high schools, SB aims to ensure that students receive the necessary support and guidance they need to succeed. 

Joy Kunda can be reached at jkunda@umass.edu

Not a Country Album, But a Beyoncé Album: A Review of ‘Cowboy Carter’

Beyonce released her highly anticipated album ‘Cowboy Carter’ late last Month.

By Christmaelle Vernet

On March 29, 2024, the multigenerational talent Beyoncé released Cowboy Carter, a 27-track album with country influences. During the Super Bowl, Beyoncé released two singles from the album: “16 Carriages” and “Texas Hold ‘Em”, which have already broken records on numerous streaming platforms. The album was five years in the making, with Beyoncé citing her experience following her performance at the 2016 Country Music Awards as inspiration for taking a deeper dive into the world of country music. Beyoncé is no stranger to the genre, having shown interest in the music style by composing her hit “Daddy’s Lessons”, featured on her critically acclaimed album Lemonade. Later that year, she performed the song with the country music band, The Chicks (formerly known as the Dixie Chicks), and expressed feeling unwelcome in the category. “This album has been over five years in the making. It was born out of an experience that I had years ago where I did not feel welcomed…and it was very clear that I wasn’t,” said Beyoncé in an Instagram post celebrating the ten-day countdown to the album’s release.

The album begins with a beautiful ballad composed of layering harmonious vocals entitled “AMERICAN REQUIEM”. In the song, Beyoncé directly addresses the criticism she received from those who believed that she did not belong in the genre and emphasizes how there is no right way to produce country music. The proceeding track “BLACKBIIRD” features several Black female country artists: Tanner Adell, Brittney Spencer, Tiera Kennedy, and Reyna Roberts. Black country artists are often overlooked in country music spaces, furthering Beyoncé’s mission to promote inclusivity, as today, the genre’s most prominent artists remain predominantly white. The album includes star-studded features with Dolly Parton, Willie Nelson, Post Malone, and Miley Cyrus all being included in various tracks. The interludes throughout the album replicate the sounds of a listener flipping through radio stations, and through this body of work, Beyoncé demonstrates a unique blend of various genres such as house with tracks like “SWEET HONEY BUCKIN”, “RIIVERDANCE”, and rap with “SPAGHETTI”. Beyoncé’s experimentation with a variety of genres proves her statement that this album isn’t a country music album but a Beyoncé album.

The album pays tribute to the pop legend’s younger children. Her daughter Rumi’s voice opens the song “PROTECTOR”, and “MY ROSE”, which she dedicates to her son Sir. Beyoncé’s interpretation of the iconic country classic “Jolene” adds new freshness and liveliness to the track, with Beyoncé’s rendition being established as a warning rather than a plea to the infamous Jolene. Beyoncé frequently references Black rights movements throughout the piece, with “BLACKBIIRD” being a cover of the Beatles song Paul McCartney wrote after being inspired by the Little Rock Nine.

This album has definitely brought out a side of Beyoncé I was very excited to see. As a long-time fan, I have noticed her interest in country for a few years, and I was heavily anticipating a full body of work. It was definitely well-executed, paying a beautiful homage to country, Blackness, and artistry in music, as well as honoring some of the biggest names in the genre. I also loved her use of sampling “These Boots are Made For Walkin’” by Nancy Sinatra in “YA YA”. While mostly featuring songs that would be easily categorized as country music, Beyoncé’s personalizations make the project personable and unique to Beyoncé’s discography, and I admire her courage to dabble in other genres, with her three-album run leaving me wanting more. I am curious, as always, about what she will be able to accomplish next with ACT iii.

My picks for notable tracks: “BLACKBIIRD”, “LEVII’S JEANS”, “PROTECTOR”, and “TYRANT”.

From Maya Angelou to Ta-Nehisi Coates: Celebrating Black History and Literary Excellence

By The Rebirth Project

Photo by Oladimeji Odunsi on Unsplash

Happy Black History Month! This year we’ve got an extra day to celebrate due to the leap year, and we from the Rebirth Project want to share a list of UMass, and our own members’, favorite Black authors for your year-round reading lists. Ranging from classics to contemporary literature, our list is full of novels, poems, and essays from centuries of incredible authors. 

Taking a moment to recognize historically significant writers, here is a compilation of some older books you should add to your bookshelves!

Maya Angelou 

Popular works: I Know Why the Caged Bird Sings, Still I Rise

What we recommend: Phenomenal Woman 

James Baldwin

Popular works: A Raisin in the Sun, Go Tell it on the Mountain, Sonny Blues

What we recommend: If Beale Street Could Talk, Giovanni’s Room, Nobody Knows My Name, Stranger in the Village

Countee Cullen 

Popular works: Heritage, A Brown Girl Dead, Incident

What we recommend: For Amy Lowell, Fruit of the Flower, Any Human to Another

bell hooks

Popular works: All About Love: New Visions, The Will to Change: Men, Masculinity, and Love, Teaching to Transgress

What we recommend: Communion: The Female Search of Love, Ain’t I a Woman: Black Women and Feminism, A Woman’s Mourning Song, Appalachian Elegy 

Langston Hughes

Popular works: The Weary Woes, The Ways of White Folks, Simple (a series of books)

What we recommend: Mother to Son, The Big Sea, Dream Variations

Toni Morrison 

Popular works: The Bluest Eye, Beloved, Jazz, A Mercy

What we recommend: The Nobel Lecture in Literature, Five poems (a collection)

Interested in Black history and theory? Check out these essays:

Notes of a Native Son by James Baldwin 

On Being Young– a Woman– and Colored by Marita Bonner

We Were Eight Years in Power by Ta-Nehisi Coates

Thick by Tressie McMillan Cottom 

The Negro Artist and the Racial Mountain by Langston Hughes

Who Will Pay Reparations for My Soul? by Jesse McCarthy

For our poets and poetry lovers, below are collections and individuals we from Rebirth love! 

Collections from Elizabeth Acevedo

Clap When You Land 

The Poet X

Dispatch by Cameron Awkward-Rich

Lucille Clifton

Golden Apple of the Sun by Teju Cole

Golden Ax by Rio Cortez

Collections from Vievee Francis 

The Shared World

Another Antipastoral 

Forest Priveal 

When Angels Speak of Love by bell hooks

Punching the Air by Ibi Zoboi & Yusef Salaam

March being Women’s History Month, this section includes some of our favorite Black feminists.

The Heart of a Woman by Maya Angelou

Bad Feminist: Essays by Roxanne Gay

Georgia Douglas Johnson

Ripe: Essays by Negesti Kaudo 

Zami: the New Spelling of My Name by Audre Lorde

Sula by Toni Morrison 

Sometimes I Trip on How Happy We Could Be by Nichole Perkins

In Search of Our Mothers’ Gardens: Womanist Prose by Alice Walker

Brown Girl Dreaming by Jacqueline Woodson

Last but not least, here are just good books to read.

With the Fire on High by Elizabeth Acevedo

The Crossover by Kwame Alexander 

Many Thousands Gone by Ira Berlin

Books by Octavia Butler

Kindred

Conversations with Octavia Butler

Their Eyes Were Watching God by Zora Neale Hurston

Drinking from Graveyard Wells by Yvette Lisa Ndlovu 

If You Come Softly by Jacqueline Woodson

Books by Ibi Zoboi 

Black Enough: Stories of Being Young and Black in America 

American Street

And don’t forget, it’s important to read about Black history or history that might not be yours, year-round. Support BIPOC authors anytime you can. We wish you all happy reading! 🙂

Red Hair, Country Music, and Soul: The Reyna Roberts Effect 

Photo by Oath Management

By Diamond Smith

Nashville, TN — In the heart of country music’s capital, where the soulful twang of guitars resonates through the air, a rising star has emerged, breaking through the stereotypical image of country music. Reyna Roberts, a 26-year-old African-American country singer with a shock of signature red hair, has made waves in the industry with her debut double album, “Bad Girl Bible,” released on Sept. 8, 2023.

Roberts, a native of Alaska, is turning heads and challenging perceptions about what country music should sound like. Much like her predecessors: Lil Nas X with his release of “Old Town Road”, Blanco Brown, Kane Brown, Mickey Guyton, and one of the greats: Jimmie Rodgers (Who is called the Father of Country Music).  According to Time Magazine, the blues with its chords of drums and stringed instruments deprived of, “slave spirituals, field songs, religious hymnals, or the works of professional black songwriters.”

Within the modern-day music landscape, we have seen a reclamation as well as a fusion of country music with acoustic rhythms, R&B influences, and a unique blend of acoustic rhythms, R&B influences, and a voice that speaks to the heart. Roberts has carved out a niche for herself in an industry that has often been criticized for its lack of diversity.

From her visual albums Stompin Grounds in 2020 and Pretty Little Devils, to her most recent, “Bad Girl Bible” is a game-changer. The double album features a rich tapestry of storytelling, blending traditional country themes with modern narratives. Each track is a testament to Roberts’ versatility as an artist, seamlessly fusing the raw emotion of country music with the sultry vibes of R&B. With her influences ranging from Beyonce to Carrie Underwood.

Photo by Reyna Roberts

Roberts’ music is her soulful voice as well as her authenticity which effortlessly traverses the highs and lows of love, loss, and self-discovery. The song’s lyrics delve into the complexities of embracing one’s authentic self, challenging societal norms, and celebrating individuality.

On Taste of Country, a mobile app that provides news, interviews, country music songs, and videos about country music, Roberts expressed in an interview, “Definitely getting acceptance and help from other artists gives me more confidence in myself,” she continues, “but then also realizing, like, ‘Hey, you’re a pretty bada– girl!’ Just having to remind myself [to not] feel too shy all the time, not going back to my introverted self, saying, ‘Girl, you got this! Remember who you are!’ That’s been essential for my mental state.”

Photo by Reyna Roberts

The album has garnered widespread acclaim not only for its groundbreaking sound but also for Roberts’ identity as a black woman who proudly shares her passion for country music and music in general. Reyna Roberts represents a new era in country music, conversations can be had about diversity and the true history and origins of country music in the black community. She encourages black women to be themselves midst a society that may try and put them in a box and other artists to explore and experiment with their unique styles.

In an industry where representation has been a long-standing issue, Roberts is breaking barriers and providing a fresh perspective. She is not only making a name for herself but also opening doors– as many have before her –for other artists who may not fit the traditional mold of a country star.

To Read More: Reyna Roberts Says It Took Time to Find Musical Self-Confidence | https://tasteofcountry.com/reyna-roberts-pretty-little-devils-new-music-2023/?utm_source=tsmclip&utm_medium=referral

Photo by Reyna Roberts

Welcome the Fear of the Unknown: A Speech by Graduating Senior Yoen Gustavo Pedraza

Photo by Vasily Koloda on Unsplash

By Yoen Gustavo Pedraza 

Hello UMass Amherst Class of 2023, 

If I were to ask you what your deepest fears were, what would you say? Failing? Death? Public Speaking? Our deepest fears revolve around our greatest insecurities and the fear that we’ll revel in our inadequacies. We want to envision ourselves as a statue of greatness, with the strength and fearlessness like the ancient Roman Hero Hercules, with the determination and work ethic of the late Kobe Bryant and his Mamba Mentality, with the applause and global name recognition of The Beatles.

We want legacies that’ll exceed our lives. Oftentimes we get so caught up in this vision of this glorious statue we’ll sculpt of ourselves that we forget to remember that that statue was once only a random stone that took years to forge. 

As humans, we have the tendency to gloss over the fact that behind every great person, there are years of pain, frustration, and fatigue alongside other struggles that are out of our control such as circumstances and challenges that come with just existing. COVID-19 had turned the world upside down and brought many of us to our knees as it disrupted integral years of college experience that were necessary to our personal and ideological development.

The pandemic had posed the biggest hurdle many of us had to face as even now we are trying to pick up the pieces. But even now, we haven’t given up. Despite the fear, it had instilled in many of us. We haven’t given up. Because even through life’s greatest disparities, something we all have in common is that as humans our perseverance will continue to shine forth.

We’re all here in this stadium because we continued to persevere through not only the normal grievances that come with college but the pandemic as well. 

Is our perseverance innate or is there another source? I believe this light doesn’t come from our own spirit but the spirit of others. Every single one of us here, dressed in our cap and gowns, isn’t here on just solely on our own capabilities. We’ve had help. We’ve had friends, family, teachers, mentors. We have a community. We all have had people stand behind us doing their best to keep our heads up when we felt like the world was coming down on us. Whether they are with us here today or only in spirit, we’re here because of them.

University isn’t an easy path to choose; it often reveals truths about ourselves that we don’t want to face, however, our struggles and defeats can only highlight greatness. It’s why we choose to continue to shine. No one great ever became that way without first feeling fear and then deciding to invite the fear in. 

So I ask again, what are your deepest fears? When I used to ask that question, I used to be afraid to answer, I didn’t want to feel weak. However, when I ask that question now, I look for an answer so I may shine a light on it. As humans, we’ve proven to ourselves time and time again that our deepest fear will become our greatest strength.

Although at this point in my life, I feel good, it was all because of the things in life I had to endure. Marianne Williamson once wrote “Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. There is a light within every one of us if we so choose to acknowledge it. And as we let our own lights shine, we unconsciously give other people permission to do the same. As we are liberated from our own fear, our presence automatically liberates others.” We faced our greatest fear, the uncertainty of college and finishing our degree after the pandemic, and now we must face the real world.

We must face the fear of the unknown. As we leave today, remember that your fear doesn’t impair you, it’s your greatest asset. Remember that you are not alone. Too many people have had a hand in our successes and seen our hardships for you all to feel that you must take the future on its head by yourself. Trust in your people. Because even someone as heroic as Hercules had Chiron to train him to become a legend of heroism.

Because even someone as hardworking as Kobe Bryant had someone like Phil Jackson to coach him to become the champion he is known as today. And even the Beatles needed each other to cement themselves as kings of stardom. So while we all continue on our paths to greatness, remember that you aren’t here because of luck or by chance. You are here today at graduation because you’ve endured, you’ve resisted, and you’ve conquered. Remember this as you sculpt your great statue, as you leave today’s stepping stone and move on to the next.

My parting words to you, to the UMass Amherst Class of 2023, is to be fearful of what the future holds beyond our college town and to be excited because of it. I want you to invite your fear in. The future has yet to be written. The future is our greatest fear and because of this, the future is our greatest strength. Shine on.